J
Juslin
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☆
☆
☆
☆
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Status: --
March 17, 2025
Damn it. I was really engrossed in the novel, but the more I read, the more I grew suspicious of certain repeated writing quirks. Checked the reviews, and it turns out it's the same person who wrote The Novel's Extra and Memoirs of the Returnee. It made so much sense, but it also made me curse out loud. If you're familiar with those novels, then you can pretty much perfectly predict how this novel will go. Endless, pointless melodrama, with a needlessly self-sacrificing protagonist that makes the world (and all the ... more>> heroines) hate him for no reason. And as always, the beginning is always so gripping before it descends into disinterest. Apart from the melodrama, I can tell you what to expect from this novel. A strong premise, that the author proceeds to throw in the garbage. After all, word count can't be taken away from their favourite story beats, can they? The protagonist will be mostly consumed by the character of Deculein. That modern style of talking you see in the sypnosis? It disappears after the first couple of beginning chapters, as the protagonist slowly becomes the person he transmigrated into. It's irritating to me, because having the protagonist see himself as Deculein first and Kim Woo-jin second kind of voids the purpose of having the transmigration in the first place. The intersection between Kim Woo-jin's mind battling the influence of Deculein's body (yet ultimately being one and the same person) in the beginning was much more interesting to me. With the way the author decided to execute things, he may as well have just started with a game character receiving foreign memories from another world, instead of the transmigration gimmick. The way power scaling is dealt with is a mess. The start is strong, as always. The protagonist comes up with a novel (in the world's context) way to fight, with a clear path to improvement and much room for horizontal growth/innovation. And then... the author loses all interest in detailing how the protagonist improves his own power. Nice. As you can expect from that, we as the readers never have any real grasp of how strong each character really is. We also have no idea about the actual systems behind how characters get stronger, apart from the introductory explanations in the beginning plus some hand-waving. It's so strange too, because the author clearly seemed to put plenty of effort into crafting the magic system, at least in the beginning. The world actually being a game? Irrelevant. The only game-like systems in the entire novel are the pointless quests that the protagonist receives, and his mana count. The latter is entirely unused in combat, by the way. Instead, replaced with countless "I overused my mana" at the end of every notable event. Yeah, right. The knowledge that came from being a game developer is also painfully underused. He knows the important story beats, and some minor details, sure, but he still knows far too little for the role he played. Given that he was given master level access, it should have been pretty damn significant. And given that he was skilled enough to change the models and character attributes, it's not like he was a high-level manager that wouldn't be aware of game details, either. He's also stated to have participated in testing multiple times. Despite all this, he still knows so little. Not even a single crumb about the backstory of the character that was modeled after him, or plenty of the heroines. Really? The execution also left much to be desired for. This novel really suffers from swapping perspectives and subplots way too often. Would it kill the author to take their time carefully describing their scenes, rather than glossing over details and leaving things to the reader's imagination? It's not like you can't do this. It just becomes a problem when it starts taking over the entire novel. Especially terrible for the action scenes. But hey, I guess it makes sense. Not like you could write any decent action with how poorly expanded the power systems of this novel were. And finally, the ultimate premise, the literal name of the novel? Guess what, the concept of "villain trying to survive" dies instantly too. It wasn't super strong even in the beginning, but completely abandoning it? Really? You can probably guess why all of this happens. Melodrama. This author only loves writing about this, and everything else is just an excuse to write more. It works well in the short run, because you're excited to see how the protagonist will deal with the tangled web of relations in the beginning. As the novel drags on though, you begin to realise that it was never the author's intention to begin with, to allow the knots to be unwound. Instead, they're merely interested in tangling the web further, to create more melodrama. And that's just boring and repetitive, at least to me. But hey, it's not all bad. Some people clearly like this kind of thing. Therefore... Overall, I would recommend reading at least the beginning of the novel, which was pretty great. However, if you've read the author's previous works, and know that you have no attachment to such melodrama, I would recommend dropping the novel as soon as you feel yourself losing interest. It won't get better. <<less
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